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Most unbalanced book on the Troubles yet!
An Excellent Book About The IRA And It's Long WarGeraghty shows how the IRA rose from a few ill equiped troops, to become the world's most formidable guerilla army. The book details that ruthless war they waged against the British Army and thier loyalist counterparts in the UDA and UVF. Through a brutally effecient assassination and bombing campaign,(which even managed to outmaneuver the famed SAS),the IRA outfought and eventually crippled the British military and the loyalist paramilitary groups, untill they were forced to state publicly that the IRA "could not be defeated". At the same time as they waged thier successful campaign against the British and unionist forces, they made thier political party (Sinn Fein) the most successful in Northen Ireland. This is an excellent book about how the oppressed Catholic population of Northen Ireland took on the tyranny of the British and for the second time in a century defeated them soundly.
Who dares winsGeraghty also covers the historical aspect of the Irish 'question' from 1600 onward, a question that has now been solved excepting a few lone dissident nutcases. Other good books on the IRA by ex-members who see through their propaganda as concisely as Geraghty include Raymond Gilmour's 'Dead Ground', Eamonn Collins 'Killing Rage', Martin McCartland's 'Fifty Dead men walking' and Sean O'Callaghan's 'Informer'. Peace.


Faulty premise leads to faulty conclusionsIf your starting point is the premise that there was One Great Goddess, fine, you will love this book. If you want a scholarly evalution of Germanic goddesses, you will need to go elsewhere.
Long and winding evidence to support goddess worshipIt might have been better to have divided the book up by region, rather as History of Pagan Europe does. Instead the dearth of hard evidence is supplemented by comparisons to notions of goddess worship much further south of north. At best it is a collection of what can be said in a scholarly manner, but is rather too dull of a presentation to be an exceptional read.
Comparative Study Yields Solid InformationShe first considers the Goddess as Mistress of the animals, examining her roles as Hunting Goddess, Ruler of the Wild, Guardian of the diary [sic] herds, as Dog and Horse Goddess.
Next, she examines the Goddess as Mistress of the Grain, considering the most ancient roots associating Goddesses with fertility of the earth, the connection between Goddess and plough, the possibility of Goddess as Corn Spirit, and how the Grain Goddess of the North differed from Grain Goddesses of more temperate regions.
Davidson then takes up the Goddess as Mistress of the Distaff and Loom, looking both the context of Goddess and weaving in the ancient world as well as the differences in Northern Europe. She considers the Oseberg wall-hagnings, retrieved from a burial site, and illuminates Goddess figures found there. She also examines the interplay between weaving and destiny, the Goddess as Weaver of Fate.
In addition, she considers the domestic role of the Goddess as Mistress of the Household. She discusses Guardians of the home, the association between Goddess and fire and water, and the role of the Goddes in the birth and nurturing of children.
Finally, she examines the Goddess as Mistress of Life and Death, writing of her role as healer and in the realm of death. She also considers Northern European funeral rites and how they help us understand the roles of the Goddess.
Davidson points out that when we sentimentalize the Goddess, as so many white-light-bunny-fluff-goddess-of-the-week books do, we lose a great deal. She draws on Jung in her synthesis that the Goddess is both attractive and nurturing as well as repulsive and frightening. In her conclusion she points out that the Goddess was much more than simply the "Great Mother."
The book has a useful index and an excellent bibliography. It was poorly copy edited, however, with several typos. I also wish that Davidson had done a better job of separating out the layers of history through which she excavates. The meaning of stone-age evidence is poorly differentiated from the meanings of myths recorded in the middle ages or folk practices recorded in the 17th century. This is a significant problem which the book poorly addresses.
Five stars for depth and breadth, but knocked down to four stars for the failure to explicitly consider the impact of various historical contexts on the available evidence and on her interpetation of it.
(If you'd like to discuss this book or review, click on the "about me" link above and drop me an email. Thanks!)


Recommended to all Pagans interested in the Northern Way!!This is an excellent book for beginners of Asatru, due to the book wide variations of Norse paganism. This book covers many subjects and customs such as: The Troth, Runes, Hex-signs, Seith Magic, and much more. This book, however, is not in depth in these subjects, but a great introduction to them. If you are looking for information on Runes of the Elder Futhark, I wouldn't count on this book, however Thorsson introduces the Younger Futhark and covers them pretty well (one page on each rune, front and back!) I also recommend this book for the advanced, because it introduces new customs as well. Be sure to check out other books by Thorsson.
An excellent and diverse work
Surprisingly InformativeThis book gives a really good quick overview of the Northern Way as it exists in its present remanifestation. In Chapter III, Dr. Thorsson explains the similarities and differences between the Troth, Rune-Galdor (operative rune magick), and Seith (norse shamanism) in a clear and concise manner.
Chapters IV and V explain Teutonic Cosmology and Theology in a quick, clear, and concise manner.
Dr. Thorsson does make a run at describing the Teutonic "soul" concept, but this is not as satisfying as the foregoing-described concise summaries.
Dr. Thorsson focuses on the younger runes and some home-grown Pennsylvania Dutch magick in this book, which might be interesting to some.
In my opinion, this book is most valuable for the quick summaries, and illustrations accompanying same, discussed above.


Borrrrinnnggg!Despite mentions of real-life people, and a deliberate effort by the author to fudge the line between fact and fiction, it is apparent that most - if not all - of it is fiction. But my main beef with it is the drawn out tedious writing.
Bottom line - there are a couple of funny stories in it, but having to wade through the rest of the book to get to them is too much like hard work.
Unreliable reviews!The 2 reviews from "A Reader in the UK" and the review by a Mr Ernest Borgnine (obviously not the Hollywood actor), I suspect were written by the books author, or a close friend.
The review written by "A Reader in San Francisco" is right on the mark.
A very good book.

Banner wavingThe arguments made against archaeologists such as Gimbutas by others in this field with opposing views, work equally well when turned back upon the contributing authors of this book. A theory is a theory and speculation is speculation. Not being able to prove something makes the argument weaker and less impressive, yes, but it does not equate to error or fabrication. There is nothing in this book that disproves the theories of Gimbutas and others like her. The book merely presents opposing theories as fact and dismisses any contrary theory as fiction.
Sophisticated but not convincingThe best chapters is those on historical known goddess cults (Egyptian, Mesopotamian). Here it is quite impossible to deny the evidence and this chapters make interesting reading. The chapter on Minoan Crete is also one of the best, although it is strange why it never refer to Nanno Marinatos ground-breaking work. The other prehistoric chapters are less convincing. Lynn Meskells chapter on Catalhoyok is particularly thin, and the author never seriously discuss the real evidence for a goddess cult in Catalhoyuk. Maybe she has a political agenda of her own - she cites with approval Bambergers view that the myth of matriarchy is a tool for oppressing women and that it is necessary to destroy this myth to free women from patriarchal oppression. I can't help wondering why! When se for example dismiss the must famous statue claimed to represent a goddess claiming the interpetation is "doubtful" without explaining why the interpretation is doubtful I don't think she is taking her opponents seriously. She never in detail discuss the woman figurines, instead she is using sweeping formulations, saying that nothing is proved. Of coups it isn't but there is a lot of evidence she don't want to discuss.
In Tringhams and Conkeys chapter on figurines they also state that the goddess theory is not proved. But that is besides the point. None of the theories they use as alternatives - for example the quite bizarre theory at p. 42 that the figurines functioned as sexual assaults by the oppressed women (she cites no evidence that women was oppressed) against dominating males is certainly not proved either!
Tringhams and Conkey use the method put forward by Peter J Ucko in 1964 when they argue that the majority of figurines was not even female. The essence of Uckos method is to use quite formalistic criteria to decide the gender of the figurines, that is the the presence or absence of female and male genitalia, breasts or beards. Ucko certainly missed that there indeed are other morphological differences between the sexes! In fact, I have tested about 20 people and showed them pictures of some of the figurines Peter J Ucko defined as sexless. Everyone said (without hesitation) that they considered them as female!
In Caroline Malones chapter on Malta she use Uckos methods for gendering the figurines, and she even supports Renfrews theory that Neolithic Malta was a chiefdom society comparable to the Polynesian chiefdoms. That there is no evidence for warfare at Neolithic Malta, that the Maltese culture presents no material evidence of social stratification, don't make her think about the plausibility of this theory. She argues that since chiefdoms in the ethnographic presence are patrilineal so Neolithic Malta probably was patrilienal. But the only real similarity between Malta and Polynesian chiefdoms was the erection of big stone monuments. That a population must be socially stratified and patriarchal in order to build huge monuments is a political statement in itself.... As Eleanor Leacock always pointed out, the so called ethnographic present has been formed by the existence of colonialism and other types of patriarchal influence during hundreds, if not thousand of years. It is dangerous to use ethnogrpahic analogies in such mechanical way.
Shee Twohigs chapter is quite better. She even end by implying hat even the rejection of the Goddess theory could be the result of some hidden agenda. This is undoubtedly true. What i miss in her chapter is a discussion of Gimbutas theory that the megalithic tomb plan in itself represent the Goddess body.
At page 8 Goodison and Morris notes that the archaeologists turned their backs at the Goddess theory at the same tine the feminists began taking it up. But they never reflect on why this happened. Personally I believe there could be a quite non-scientific reason for this. Before the feminists politicized the goddess theory it was more or less uncontroversial. But when it suddenly became the focus of a polarized debate the archeologists, who usually are not the most radical persons - almost immediately began to distance themselves from the theory. It is the same whith the matriarchy theory. Is it really a coincidence that the academic denial of this theory came about the same time the women got their write to vote!? When women was safely oppressed the theory of matriarchy was not dangerous at all. When they revolted it suddenly became dangerous... The Goddess theory lasted longer - at least it was "only" about religion. But when groups within the second wave of the feminist movement began to politicize women's spirituality the backlash was soon to come...
Fascinating Read

One sided version of the story
A One sided Account
Repiticious

A road I wouldn't recommend
Why is this book out of print!!
I am inspired to be a pilgrim myself

Delorme Disappointment
Northern California Atlas & Gazetteer
Very helpful; has an idiosyncracyThere's an idiosyncracy that I hope DeLorme will correct in future printings: the atlas shows contours and elevations in meters. Why it does this I don't know, given that the Nevada and Colorado DeLorme atlases use feet. Because the U.S. remains committed to standard English measures rather than the metric system, presumably most users will want to work in feet and will have altimeters and global positioning devices set to the English system. It's irritating to have to convert to meters when using the atlas.
These comments pertain to the fifth edition, second printing (2000), of the atlas. It's been updated regularly in the past, so my observations may become obsolete.


okEven thought the writer is a former SAS soldier, he reports one atrocity of the British in Northern Ireland but fails to truely acknowledge the discrimination or convey the deep divisions found here.
Powerful.So. What do we have? Probably the most intense pair of star crossed lovers since Romeo and Juliet. Also, we have a small slice of the war between the Brits and the IRA.
Personally, I haven't read anything this powerful in God knows how long. (If you suspend disbelief). I recommend this to everyone.
Violent Delights

WHAT DID I EVER SEE IN HER?
Lord of Hawkfell Island
An Unforgettable TaleFrom the moment she comes to Hawkfell Island nothing will be the same again.
Mirana is a strong and intelligent woman, who fights with as much strength and cunning as a man. She is also courageous and proud-to a fault. She does not hesitate to defy Rorik and vows to escape but at the same time finds herself befriending the women of Hawkfell Island and learning why Rorik is filled with such hostility.
Rorik can be stubborn and cruel but he IS a man after all. A man who has lived with pain and hatred and takes it out on Mirana. He is not evil but a strong and naturally good man. When he meets Mirana he discovers that life is not lived if lived in hatred.
Lord Of Hawkfell Island is a wonderfully written novel. Written with enough character description and feeling! To me she conveys enough emotion and life into this novel as to make it captivating. The plot is full of surprises and even a little suspense. She is one of my favorite authors and this is one of her books that I would highly recommend.
Catherine Coulter knows how to write romance, she is one of the best, Period.